Louise Bourgeois Essay Example for Free

Louise businessperson EssayMuch fuck be learned from the environment within which we put up. What we see tells a lot about the society in which we live belief system politics economic undertakings kinship and material culture among others. Through material culture, we put forward get insight into the world that existed long before us. Culture can be defined as the way of life of people depicting their shared experiences, political and spiritual beliefs, technology, insights, attitudes, and material objects. (Li Karakowsky)The sublime can be defined as the priced greatness or vast intensity in terms of biological, moral, mental, metaphysical, beauty, imposture or religion. rarified is experienced over and over. It is embedded in our history, being, values, thoughts, concepts, world views, beliefs, and is responsible for our personalities (Bernadac 2007 p20) Main bole One of Americas renowned contrivanceist and sculptor, Louise Bourgeois, managed to capture the American Sublime through her dainty undertaking.She was born in Paris, France in December 25, 1911 but traveled to America in 1938 to perfect her fine endeavor. She studied mathematics at the Sorbonne, and painting and sculpture in Ecole du Louvre, Ecole des Beaux-Arts, and Art Students League of new-made York. She worked as an assistant to Fernand Henri Leger- a French sculptor, painter, and film striver. She is popular for her work that depicts spiders, sculptures, drawings and literary work (National aim of Canada 2005 p16).As a way of depicting the society in which she was living, Bourgeois work is full of inanimate images of horrifying fear, ghosts, darkness, tortured people, and disabling mental illness to attempt to get at the source of these emotions and to bear upon normality even in times of chaos. Her works helped depict the intellectual climate, social and historical conditions that existed then. (Gorovoy et al 2006 pp 27 -28) She captured the effects of the First World Wa r through carving limbless sculptures and detached limbs and had most of his paintings and sculptures painted black to depict death and mourning, (Gorovoy et al 2006 p 24) e. g. the two headless fabric bodies attempting to make love shown below.She depicts the revolution of the western politics, largely constructivism, through posters that expressed sympathy towards the Russian regime which she displayed in Moscow. The Tate Modern exhibition catalogue indicates her inclination towards Communism. Bourgeois made abstract art pieces that reflected on her puerility experiences showing how relationships within the family were entwined together thus bringing in the aspect of kinship, socialization and acculturation.This depicts how her art gives us insight to how children were brought up back then. (Lippard 2003 pp 9-10) Her Femme Maison and Fallen woman series introduced the aspect of liberation of women. They depicted a female struggling to outgrow some house standardised structures wi thin which she is trapped that is attempting to outgrow the masculinity into which the women were entrapped. She depicts a rebellion against the negative masculinity through her work, The Destruction of a Father, in which rock figures sidestep a sacrificial slab full of butchered body parts. ThusIt has been suggested that her sculpture, The Blind Leading the Blind, has a religious connotation. fit to Desmond Michael and Lloyd Michael (1870-1970) Bourgeois, inspired by the Cold War, made this sculpture and that the title was picked from the cutting Testament verse (Matthew 1514) that describes how a blind man leading another blind man would end up in a ditch. The structure is shown below (Bernadac 2007) Bourgeois contribution to the American Sublime is best captured in New Yorks Guggenheim Museum, the Centre Pompidou in Paris and Londons Tate Modern with their massive collection of her art work.In conclusion, the American Sublime has been captured through art in poetry, carvings , paintings, songs, books, and which take us back to the origins of the cultures of past American societies. Just like the origins of the American sublime can be traced through studying works of art, similarly, so can we sympathize much about its revolution from the contemporary art works. Louise Bourgeois has managed to get this through her sculptures, drawings and works of art reflecting abstract as well as tangible aspects of living that relate to feelings, political standing, material culture, religious inclination, beliefs and kinship.References Bernadac, M (2007) Louise Bourgeois Rizzoli International North America pp 18 24 Gorovoy, J. , Carver R. Read C. (2006) Louise Bourgeois Bellport Press University of Michigan pp 21-35 Lippard R (2003) Overlay contemporary art and the art of prehistory Pantheon Books NY pp 7-16 National header of Canada (2005) Louise Bourgeois Maman National Gallery Canada press pp 14-17